The following interview, conducted by Liam Hough, appeared in ROAR 0n 26 November 2020: https://roarmag.org/essays/max-haiven-revenge-capitalism-interview/
Read moreUnraveling capitalism’s revenge: An interview (ROAR Magazine)
The following is a preliminary version of the text published on October 6, 2021 in ArtReview: https://artreview.com/should-artists-take-the-money-and-run-jens-haaning/ The mainstream news cycle is forever doomed to … Read more
This essay originally appeared in HyperAllergic –> https://hyperallergic.com/624288/was-the-gamestop-frenzy-an-artwork/ Was the GameStop scandal some kind of massive, participatory activist artwork? In late January and early February … Read more
My essay “The GameStop Saga Is Not the Revenge Against Finance We Deserve” has been published by Truthout here: https://truthout.org/audio/the-gamestop-saga-is-not-the-revenge-against-finance-we-deserve/ “There’s a catharsis to actually … Read more
ROAR Magazine has published my essay “The power, potential and peril of the GameStop affair” –> https://roarmag.org/essays/gamestop-affair-financialized-resistance/ There is an apocryphal story that, in … Read more
Haiven, Max. 2020. “Settler Capitalist Multiculturalism, Indigenous Refusal, and the Spectre of Bankruptcy: Rebecca Belmore’s Gone Indian.” in The Aesthetics of Ambiguity: Understanding and Addressing … Read more
The following interview, conducted by Liam Hough, appeared in ROAR 0n 26 November 2020: https://roarmag.org/essays/max-haiven-revenge-capitalism-interview/
Read moreUnraveling capitalism’s revenge: An interview (ROAR Magazine)
A video of an illustrated lecture I gave (virtually) at The Slade School at UCL in May. It offers something of an overview of my … Read more
I spoke with scholar and Furtherfield co-founder and co-director Marc Garrett as part of RadicalxChange‘s 2020 online conference. We discuss many of the key themes … Read more
The Order of Unmanageable Risks is an eclectic podcast about the crisis of anxiety in our society today and its links to the system of … Read more
My short, provocative essay “No Artist Left Alive” has appeared in the 11th issue of the Berlin-based broadsheet Arts of the Working Class. It argues that, as we emegre from that pandemic, artists and their supporters should consider anti-capitalist strategies not based on making life and economic conditions better for artists, but for all poor and working people, (the vast majority of) artists included.
Text below, but also check out the whole very interesting issue online, or, better yet, buy a copy in Berlin, London, Los Angeles and beyond.