Citation Haiven, Max. 2018. “Participatory Art within, against and beyond Financialization: Benign Pessimism, Tactical Parasitics and the Encrypted Common.” Cultural Studies 32 (4): 530–59. https://doi.org/10.1080/09502386.2017.1363260 … Read more
This essay touches on themes covered in more detail in my book Art After Money, Money After Art: Creative Strategies Against Financialization Original: http://publicseminar.org/2017/04/a-utopia-for-money/ French … Read more
Citation Haiven, Max. 2017. “Beyond the Violence of Colonial Civility: The Art of Raven Davis.” In The Art of Civil Action, edited by Pascal Gielen … Read more
Citation Haiven, Max. 2016. “Ghosts and Vagabonds.” In The Vancouver Carts: Photographs by Kelly Wood, 113–20. London: Black Dog. Abstract This short illustrated chapter discusses … Read more
Citation Haiven, Max. 2015. “Art and Money: Three Aesthetic Strategies in an Age of Financialisation.” Finance and Society 1 (1): 38–60. https://doi.org/10.2218/finsoc.v1i1.1370 Abstract Recent decades … Read more
Citation Haiven, Max. 2015. “Money as a Medium of the Imagination: Art and the Currencies of Cooperation.” In Moneylab Reader: An Intervention in Digital Economy, … Read more
Citation Haiven, Max. 2013. “The Dammed of the Earth: Reading the Mega-Dam for the Political Unconscious of Globalization.” In Thinking with Water, edited by Cecilia … Read more
Citation Haiven, Max. 2012. “Halifax Nocturne versus (?) The Spectacle of Neoliberal Civics.” PUBLIC: Art, Culture, Ideas 45 (July): 79–93. https://doi.org/10.1386/public.23.45.78_1 Abstract Halifax’s Nocturne: Art … Read more